The Theme of "Misery" by Anton Chekhov

In the short recital ? harm? by Anton Chekhov, I set the problem of l atomic number 53liness, as the absence of reciprocal comprehending. I regain the love that A. Chekhov expresses to the workaday per news want Iona Potapov. The author writes virtually elfin things that hatch a lot. Deep thoughts ar secrecy under on-key life twists and turns. Chekhov tells us a floor of the main character, penniless Iona Potapov. He, as a sledge driver, meets variant types of stack and spends roughly of his time with them. It may earnm that Iona should not be lonely, as he is of all time surrounded with pot. still when we read between the lines we can see the crying spirit of Iona. Iona does not energize a wife, he still muzzy his son, and he is left hand with his horse and his soul is dancing with pain. Misery is preying on him from inside. His passengers atomic number 18 insincere to themselves and to Iona; this strives his pain raze worse. ?Do you see you experienced plague? I?ll reserve you smart. If one stands on ordinance with fellows like you one may as well walk. Do you hear, you old dragon? Or put one across?t you cargon a hang what I study?? (71). ?Misery? faces loneliness as its main problem and indirectly asks us to be meliorate, sincere and understanding people. The author argues both(prenominal) dangerous problems to his readers. ?Misery? explains a significance of moral principles. This story is close to people that are satisfied in their lives, and who detect they are above other people. This story is intimately people who are not able-bodied to understand each other, and who do not know the significance of sympathy. ?And Iona turns round to tell them how his son died, except at that point the hunchback gives a purposeless suspiration and announces that, thank God! they have arrived at outlast? (71). It experiences like it is difficult for other people to understand his grief, for those that neer had this tak ing into custody before. Iona does not lose ! this creed and still tries to produce soul who will listen to him. He is childlike when he tries to see support and sensibility spark in people?s eyes. Unfortunately, he bumps into a wall of incomprehension and indifference. How lots do we hear rough indifference? We wonder in disgust, and we do not think it could be said about us. How often we obturate about grievances we cause to our closest people. Some quantify so little is needed: to listen, to smile or notwithstanding to distinguish an winsome word, but sometimes that is all we need. It would not set about too much effort for ?Misery? characters to give ripe a little bit of kindness, gentleness and patience, so that Iona Potapov would feel better. We all need to shy past from our indifference to make our lives brighter. A. Chekhov knows how to write simply about huge importance things. That is what he did writing ?Misery?. There Chekhov faces the cosmicgest perennial problem of domain ? inner communication, ind ifference for mortal?s going aside and grief. The feeling of heaviness and melancholy sash in orchestrate part reading this short story. The main character of the story, Iona, is disordered in a busy city, where everybody rushes without paying attention to someone who call for it most. ?The little mare munches, listens, and breathes on her master?s hands. Iona is carried away and tells her all about it? (72). This fragment shows that Iona lost his faith in people, and he finds a warm center that would understand his grief. Iona make a real friend ? his old mare, which always stays around. Anton Chekhov is a great artist in words.

He is able to convey his thoug! hts in this short story and to show a big picture of Iona?s life. The author reveals a brutal atmosphere that surrounds Iona, ?Big flakes of wet snow are whirling lazily about the street laps, which have just been lighted, and cunning in a thin soft mould on roofs, horses? backs, shoulders, caps? (69). It is not just dusk and snow; it is a sign of emptiness, hopelessness and apathy. It allows us to understand how small the kind-hearted creation is in this cruel universe. Chekhov pictures the big city with unfeeling people, where inside the person could be alone. Four times Iona well-tried to first a conversation and all four times he tried to share his grief. He wants to talk about his loss about his tribulation. He even states, ?It would be even better to talk to women. Though they are silly creatures, they snivel at the first word? (72). No one was interested in his words. Iona could not let his grief out so his sorrow was take a shitting bigger. ?His misery is immens e, beyond all bounds. If Iona?s heart were to burst and his misery to flow out, it would flood the entire world, it seems, but yet it is not seen? (71). Chekhov is like a psychologist. He shows how big the sorrow could be and how lonely a pitying could get. This cornerstone is relevant for all of us. We all rush with our lives without idea of others. We rarely think that we all could get to a situation pictured in ?Misery? by Anton Chekhov. Chekhov, Anton. ?Misery.? An excogitation to literary works: Fiction, Poetry, Drama. 13th ed. Ed. Barnet, Sylvan, Burto, William, and Cain, William E. New York: Pearson/Longman, 2004. 69-72. If you want to get a all-inclusive essay, order it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay